Blog

Gary R
January 13th, 2012

Why should we fund the arts?

This is our 25th year delivering work across Birmingham and the West Midlands.

From a modest start in Balsall Heath at St Paul’s Community Trust, Language Alive! was born. Steve Ball was appointed as a clown to promote language development across 12 schools. Over the next few years the work expanded to include Northfield, Saltley, Nechells and Ladywood with a range of tours and site-specific projects, and the team grew with Local Education Authority-funded teacher/actors.

The 90s gave rise to sister company Catalyst to tap into huge demand for health work. Fortunate timing, because the withdrawal of LEA funding stripped Language Alive! of most of its staff, and saw the company leave St Paul’s, struggling to survive.

But survive it did, and thanks to an Arts Council Lottery Award moved to its present premises above Percy Shurmer Primary School in Highgate in 2000. The Play House was born. The company went from strength to strength, being funded to create a virtual ‘Healthy Living Centre’, delivering a range of innovative and developmental projects through Creative Partnerships, and moving out of the classroom with Extended Schools projects.

But all these initiatives have come to an end. Looking back it says a lot about the cyclical nature of the world we work in. Once again funding is being withdrawn and The Play House, like many other charities across the country, is once again struggling.

But should we rely on funding? What is the value of the arts? Here’s a thought-provoking article from David Edgar about the subject. Make up your own minds.

http://www.guardian.co.uk/culture/2012/jan/05/david-edgar-why-fund-the-arts?fb=native&CMP=FBCNETTXT9038

Deborah H
October 11th, 2011

Dr. Dorothy Heathcote MBE: 29 August 1926 – 8 October 2011

It was with great sadness that we heard of the death of our patron Dorothy Heathcote over the weekend. She was truly a pioneer, leading the way for so many drama and theatre-in-education teachers and practitioners not just in the UK, but globally. Over the years teacher/actors from The Play House have been privileged to work with Dorothy and her influence on the company’s artistic and educational practice has been considerable. She was one of the first people to see the potential of using drama as a learning medium and she developed a methodology and language that still has huge currency today. She continued to work right throughout her life honing her considerable body of theory and practice, and her legacy will live on through theatre-in-education performances in school halls and in drama classrooms across the world.

You can read an obituary from her daughter Marianne Heathcote Woodbridge here. This includes details of Dorothy Heathcote’s Life Celebration. For those interested in attending please RSVP by email or post to mariannekevin@yahoo.co.uk

For those who knew her work and want to see it again and for those who never got to experience it first hand, have a look at Three Looms Waiting – BBC TV’s 1971 Omnibus profile of her work:

Gary R
September 2nd, 2011

No Kidding at ArtsFest!

The Play House will be presenting ‘No Kidding’ at ArtsFest on Sunday 11th September at 2pm in Birmingham Conservatoire’s  Recital Hall

‘No Kidding’ is a fun and slapstick participatory programme designed to improve the quality of children’s relationships with each other, and it’s one of our Language Alive! theatre-in-education tours for 2011-2012. Designed for 5-7 year olds it’s one of our most requested programmes, and an excerpt is presented free at ArtsFest, performed by Malcolm Jennings and Simon Turner.

‘No Kidding’ explores notions of friendship, co-operation and bullying through the eyes of a pair of ‘overgrown children’, Bally and Billy. In the best traditions of clowning, Bally and Billy struggle to maintain their friendship at work and play. Amidst all the fun there is a serious lesson to be learnt when Billy downs tools and the pupils must take the lead in resolving the conflict between the two larger-thanlife characters. Will the pupils be able to help Bally see the error of her ways and get her to apologise to Billy? Will the two make friends and get to perform their big finale?

Visit its website to find out more…

Juliet F
July 31st, 2011

The end of an era?

For the last few years I have been lucky enough to be part of the Creative Partnerships programme led by Bright Space in Birmingham both as a creative agent and as a drama practitioner.

For 3 years I supported two lovely primary schools, Erdington Hall and Nonsuch Primary to work with artists and develop their creative curriculum. Teachers and children worked with outdoor visual artists, digital media artists, Mantle of the Expert practitioners, dancers, gardeners and a whole host of other creative practitioners. I hope the schools continue to work creatively to engage their children and I have found it fascinating to document the work. So a big thank you to the staff and children at both schools for making feel so welcome and for making me a much better project manager. Won’t miss the CP data base though!

I’ve also been reflecting on what I’ve learnt working on the projects that I delivered as a drama practitioner and storyteller and it’s hard to boil it down in a blog but here goes:

• Children are more confident as writers, speakers and thinkers if they feel a sense of ownership over a story and feel like they have participated in its making.

• Using a mixture of process led drama and performance techniques supports different kinds of learners.

• Stories are made to be told!

• A child’s imagination is often richer than the pictures in a book.

• Never expect children to respond to a story in the same way.

• Unlocking the imagination is the problem not a lack of imagination.

• Stepping into a story should mean just that – we go in together and grown ups need to be in role too!

I’ve worked in partnership with wonderful teachers across Birmingham and Coventry to use drama and story to develop children’s literacy, speaking and listening, imagination, writing, confidence and play. So thanks to Whitmore Park, Stanton Bridge, St John Vianney and All Souls primary schools in Coventry and to Hillstone, Skilts, Sundridge, St James R.C, Clifton, Anderton Park, Lillina de Lissa Nursery, Washwood Heath Day Care and Kingsthorne for having me.

Gary R
June 14th, 2011

25 years of bringing the curriculum to life

September sees Language Alive!’s 25th year of bringing the curriculum to life across Birmingham and the West Midlands.

We’ve just released next year’s programmes which are available to book. Apologies for the delay – funding, as you’d appreciate, has been a bit scarce, but we’ve been able to raise enough to keep school contributions the same as last year.

We’ve also been able to attract funding for some exciting new work. The Arts Council has supported two linked tours this year – Peep! and Mosaic (click to find out more information). Both will be distinct programmes, but both will explore ways of creating theatre that is more accessible to a wider range of children. Peep! is available to Nursery, Reception and Year 1, and Mosaic for Years 2 & 3.

Another exciting project will be taking place at the evocative Moseley Road Baths. Pool of Memories will use the stories collected from the local community to explore the history of this fascinating building, and is part of a wider Heritage Lottery-funded project being run by the Friends of Moseley  Road Baths – you can find out about that project at www.poolofmemories.co.uk.

Paper Chase is a project that might seem familiar to some schools, but we’ve submitted a bid to the Clore Poetry and Literature Awards to build on previous work to make best use of enhanced digital audio technology and interactive resources. The aim is to offer greater support for the teaching of literacy, andprovide children with a dramatic impetus to create their own original poetry.

Some of our most popular tours are also making a return, such as our Key Stage 1 bullying and relationships programme No Kidding, and our Early Years numeracy piece Little Red Hen. There’s a strong selection of historical work too, with 7-11 year olds taken back to Tudor Times to explore the story of Anne Boleyn and Where there’s smoke… transporting them to the Great Fire of London. For Years 5 & 6 Saving Hope will explore the human stories around the outbreak of the plague.

You can find out more about all these programme by clicking the links above, or by downloading the brochure from the Language Alive! page, where you can also find the booking forms. Please get in touch if you’d like any more information.

Guest blogger
April 14th, 2011

A word from the trenches…

I have worked at Anderton Park School for a number of years and taught in different year groups. Language Alive! has always been a wonderful experience for the children. It is tailored to their needs and is age appropriate. So often other theatre-in-education is about performance only.

Language Alive! is effective because the children are involved and this leads to great follow up work. It is never about a one off performance.

Teachers have very different personalities and over the years there have been teachers who do not want to be involved in anything brought in from outside the school. In fact they never appear to emerge from their classrooms !!!!

However, Language Alive! is different. One year a previous Head Teacher was going to stop Language Alive! due to the cost. The teachers were very upset and every single teacher complained that it was a tremendous experience, and because of this he changed his mind.

Every time Language Alive! has been in school  teachers praise all aspects of the programme and how it has helped the children in their class. The children look forward to it, knowing that every year Language Alive! will come into school. These are remarks children have made about Language Alive! programmes.

” I thought I was really there”

” It made me think”

“I learnt without it being boring.”

” You understand stuff better”

Celia Reeves

Every Child Matters Manager/Teacher

Anderton Park Primary School.

No Kidding, photographed at Anderton Park Primary School

Alex p
February 25th, 2011

The Play House…exactly what it says on the tin (except it’s not a house)

I’ve been at this awesome place for just over 4 months now and believe me, in that short amount of time, it feels like I’m the member of a family!

The people who work here or with us are just brill; it’s like someone has just rounded up a group of lovely people, branded them with the “PH” poker and involves you in everything that happens.

I came along 5 months ago and was given an interview for Apprentice Administrator; i thought “Ok, got my happy face on, let’s go for it!”. To my surprise I was interviewed by 3 staff members…wow…where is that cloning machine when you need it?

When we got talking, it didn’t feel any more than a friendly chat, it just felt comfortable and flowing. It’s a shame all interviews aren’t like this…with tea to boot! (I’ll talk more about this later).

I GOT THE POSITION! Happydays.com.

Went to my first Play House meeting and my god was I baffled; everyone was talking about funding, plays and what people are doing. Even though I didn’t have a clue, I listened and learned a lot, and now I still have no idea! (I’m joking).

I work in the office all my time there but if there is a programme going out, I do get the humble chance of seeing them and it’s a fantastic opportunity.

The first play I saw was a programme called On The Edge, talking all about extremism, how to recognise it, query it and how to deal with it. It was great, the Teacher/Actors were in-depth and very believable and the energy that was given off and received for both the audience (children) and the actors was….well you need to be there to know what I mean. There were a lot of times in the play where I wanted to leap up and go “Oi! You shouldn’t be doing that, that is not nice!” (Yes I’m 20 years old but I’m a kid at heart). What surprised me the most was the fact that the children in year 5 knew words like extremism, terrorism, etc. At that age I was learning words like difficulty, octagon…so the education nowadays has far exceeded when I was a nipper and I’m thrilled to know that children are becoming more intelligent  and how fast they grow.

Another programme i saw was called Fit For A King. Phew! Talk about keeping in shape! It teached children all about food diets and how to stay active and healthy. The fact that the children were doing better jumping jacks then I was, made me realise how this programme was perfect for me!

Mr. Tea, Mr. Tea….Mr. Tea!
Believe me, the amount of time being here, my blood must actually be…tea! Whatever we do or wherever we go there will always be a cup of tea in our hands. It’s what keeps us going, what gives us our inspiration and development and also what keeps people making a funky beat with their sipping and gulping!

Tea is the very foundation of The Play House, without it we’re nothing but an empty mug. I must admit…I used to have 4 sugars in my tea (bad I know) and now I’m down to 1, so I’m proud of myself (the fact that they have weaned me down cause of my high energy and many toilet breaks might be the reason). Warning: Be ready to get addicted!

The staff here are….well shall I say varied? They come in all shapes and sizes and from all walks of life. To be honest there is not one person I do not like, they’re all friendly and wacky in their own way and there is never a time when you feel left out. One of the unique points is that each one has a great knowledge of their role and they have had background experience before.

It’s just awesome to know they take their work to a high standard and that they genuinely enjoy what they do, and I feel proud to know I’m working alongside them as the “PH” team (we do fight crime during night-time), creating such out-of-this world works of art and promoting the growth of children for the future! That’s what I love about this place.

My first blog…maybe one day I’ll look back at this and say – “There’s what I wrote! Wow! Autographs anyone? Only if there is a cupper involved!”.

Gary R
December 2nd, 2010

Changing the paradigm

Sir Ken Robinson PhD is an internationally recognized leader in the development of creativity, innovation and human resources. In 1998, he led a national commission on creativity, education and the economy for the UK Government. ‘All Our Futures: Creativity, Culture and Education’ (The Robinson Report) was published to wide acclaim in 1999.

This fascinating short film outlines his perspective of education today, his vision, and what he sees as some potential ways forward.

Gary R
November 18th, 2010

Carl Chinn meets The Play House!

Tune in to Carl Chinn’s radio programme on BBC Radio WM this Sunday!

From midday you’ll hear Juliet and Malcolm talk about some of the company’s heritage-based projects, from a storytelling project based on the life of the Ladypool Road to participatory theatre-in-education at the Museum Collection Centre in Birmingham.

http://www.bbc.co.uk/wm/programmes/schedules/2010/11/21

Malcolm J
November 11th, 2010

Put the kettle on!

I’m often asked “How do you come up with your programmes?”, “Where do you get your ideas?” The answer is with big bits of paper, marker pens and tea, lots and lots of tea. Oh! And sometimes biscuits too. (Actually the biscuits feature quite heavily.)

I found myself thinking about this as I unloaded the car at our rehearsal room at the start of term. We were beginning to devise On the Edge, our new PSHE programme about community cohesion and the effects of violent extremism. Clutched in my arms were the aforementioned large bits of paper, marker pens and most crucially a kettle.

The importance of tea cannot and must not be underestimated in the creative process. Soon the walls of the rehearsal room would be adorned with the large sheets of paper, held precariously in place with Blu-tack, and covered in brightly coloured scrawling. Aims and outcomes on one sheet, possible characters on another, a timeline with the key events in the gun powder plot here, symbols, graffiti and slogans over there. These are all fundamental in the creation of a programme but it is at the small table in the corner, its legs bowing under the weight of tea, mugs, milk and if we are very lucky some biscuits, that much of the inspiration strikes.

It is at this table we gather when there is a pause in our strutting and fretting to re-fuel and alongside the slurping and munching much reflecting takes place. It may be thoughtful musings on a film or TV programme or it may be indignant ranting about a news story but it all feeds in and connects.

Coffee does not lubricate the wheels of invention to such a degree and it keeps us up all night when we should be dreaming up great programmes.

Of course the process of developing a new programme starts well before arriving at the rehearsal room and curiously enough tea also plays a prominent role. It goes something like this. The whole team from The Play House  get together and put the kettle on and we talk about all sorts of ideas for programmes. They might be a suggestion from a teacher, stories we have read, an opportunity or request to use a specific place or building, something in the zeitgeist, an invitation or a commission to address a particular issue, a curriculum area that we feel has been under represented or an art form we would like to explore. We sound out the nooks and crannies for educational and participatory opportunities, sometimes with members of our teachers group. (I even noticed Jaffa cakes on the table at the last meeting. Is no expense spared? Not when it comes to our teachers group.) And of course the wheels of invention need lubrication, quite a lot of lubrication it turns out.

(How these projects get funded is of course a different story. Deb wrote a blog on this earlier this year if you want to find out more detail, but I should warn you it doesn’t contain nearly the right amount of references to tea as its importance warrants. )

Meetings are set up and held, speculations had, some practical trying out of ideas takes place in which the whole team work together for a day or half day to figure out things like is it possible to replicate the blowing up the Houses of Parliament in a school hall twice daily? Details get thrashed out and thirst gets quenched.

Once the possible parameters of a programme have been wrangled into some sort of shape a “long list” of possible programmes is sent to school and teachers comment on which ones they are most interested in, and of course licking all those stamps is thirsty work. A final short list is drawn up and sent to schools (more stamp licking) and the bookings are made. Our trusty administrator Gavin then pieces together the complex jigsaw that makes up the tour schedules and, oddly enough, needs to be almost constantly refreshed. It’s usually about this time we consider getting an urn. We already have the largest teapot we could find, a fairly recent acquisition, as its predecessor wore out. (You can imagine the anxiety when that news was broken at staff meeting and the frenzied subsequent search for a replacement big enough. Does this give the impression that our staff meetings are like a mad hatter’s tea party? Well I couldn’t possibly comment.)

But if you are passing anytime, drop in, say hello, especially if you have a great idea for a programme. We’d be happy to talk about it with you - the kettle’s always on, and I do mean always. Or you could contact us via the web site, but then you won’t get a biscuit with that, just a cookie!!

Brew anyone?