Archive for the ‘Junior/Key Stage 2’ Category

Juliet F
July 31st, 2011

The end of an era?

For the last few years I have been lucky enough to be part of the Creative Partnerships programme led by Bright Space in Birmingham both as a creative agent and as a drama practitioner.

For 3 years I supported two lovely primary schools, Erdington Hall and Nonsuch Primary to work with artists and develop their creative curriculum. Teachers and children worked with outdoor visual artists, digital media artists, Mantle of the Expert practitioners, dancers, gardeners and a whole host of other creative practitioners. I hope the schools continue to work creatively to engage their children and I have found it fascinating to document the work. So a big thank you to the staff and children at both schools for making feel so welcome and for making me a much better project manager. Won’t miss the CP data base though!

I’ve also been reflecting on what I’ve learnt working on the projects that I delivered as a drama practitioner and storyteller and it’s hard to boil it down in a blog but here goes:

• Children are more confident as writers, speakers and thinkers if they feel a sense of ownership over a story and feel like they have participated in its making.

• Using a mixture of process led drama and performance techniques supports different kinds of learners.

• Stories are made to be told!

• A child’s imagination is often richer than the pictures in a book.

• Never expect children to respond to a story in the same way.

• Unlocking the imagination is the problem not a lack of imagination.

• Stepping into a story should mean just that – we go in together and grown ups need to be in role too!

I’ve worked in partnership with wonderful teachers across Birmingham and Coventry to use drama and story to develop children’s literacy, speaking and listening, imagination, writing, confidence and play. So thanks to Whitmore Park, Stanton Bridge, St John Vianney and All Souls primary schools in Coventry and to Hillstone, Skilts, Sundridge, St James R.C, Clifton, Anderton Park, Lillina de Lissa Nursery, Washwood Heath Day Care and Kingsthorne for having me.

Gary R
June 14th, 2011

25 years of bringing the curriculum to life

September sees Language Alive!’s 25th year of bringing the curriculum to life across Birmingham and the West Midlands.

We’ve just released next year’s programmes which are available to book. Apologies for the delay – funding, as you’d appreciate, has been a bit scarce, but we’ve been able to raise enough to keep school contributions the same as last year.

We’ve also been able to attract funding for some exciting new work. The Arts Council has supported two linked tours this year – Peep! and Mosaic (click to find out more information). Both will be distinct programmes, but both will explore ways of creating theatre that is more accessible to a wider range of children. Peep! is available to Nursery, Reception and Year 1, and Mosaic for Years 2 & 3.

Another exciting project will be taking place at the evocative Moseley Road Baths. Pool of Memories will use the stories collected from the local community to explore the history of this fascinating building, and is part of a wider Heritage Lottery-funded project being run by the Friends of Moseley  Road Baths – you can find out about that project at www.poolofmemories.co.uk.

Paper Chase is a project that might seem familiar to some schools, but we’ve submitted a bid to the Clore Poetry and Literature Awards to build on previous work to make best use of enhanced digital audio technology and interactive resources. The aim is to offer greater support for the teaching of literacy, andprovide children with a dramatic impetus to create their own original poetry.

Some of our most popular tours are also making a return, such as our Key Stage 1 bullying and relationships programme No Kidding, and our Early Years numeracy piece Little Red Hen. There’s a strong selection of historical work too, with 7-11 year olds taken back to Tudor Times to explore the story of Anne Boleyn and Where there’s smoke… transporting them to the Great Fire of London. For Years 5 & 6 Saving Hope will explore the human stories around the outbreak of the plague.

You can find out more about all these programme by clicking the links above, or by downloading the brochure from the Language Alive! page, where you can also find the booking forms. Please get in touch if you’d like any more information.

Gary R
June 14th, 2010

Next year’s primary tours now available!

We’ve now planned all the Foundation and Primary tours for the next academic year, including some exciting new projects and the return of some old favourites.

Climb aboard!

For Early Years Just imagine… is an innovative new Early Years programme that is being developed through a partnership between The Play House and Birmingham Rep.  A series of story-making sessions are currently being conducted in Early Years settings , and the ideas generated by children in these sessions will be used to create a unique child-led story, inviting children to step into the world of the story and to imagine, play and create for themselves. Climb Aboard sees the return of Jim and his grandma Fernanda, who find the Jamaica Case full of precious things from Fernanda’s life as a girl in Jamaica. Jim and the children explore the objects as they are removed from the case and are taken on a journey back to her childhood…

Into the Garden, inspired by Oscar Wilde's The Selfish Giant

Key stage 1 has two popular programmes make stheir return. Fit for a King transports infants to the court of Prince Yannis, one of the unhealthiest, laziest and most unhygienic princes ever. Recruited by Yannis’ long-suffering personal chef, Cookie, the pupils must transform his lifestyle before the prince will be allowed to be crowned King Yannis. And using Oscar Wilde’s original story of The Selfish Giant as its inspiration and integrating shadow play, puppetry and storytelling, Into the Garden follows what happens when a group of children decide to ignore the ‘Keep Out’ signs the Giant has put up around his garden and show him what he’s been missing…

Thanks to the Arts Council and Birmingham City Council there are a few new programmes for Key Stage 2. Spinning a Yarn is a new and exciting programme for Years 3 & 4 that tells the story of Hans Christian Anderson’s Emperor’s New Clothes. Through an exciting blend of storytelling, participation and the hands-on exploration of textile techniques, participants explore human rights and global citizenship. Inspired by the traditional story of Jack and the Beanstalk, Bag of Beans is a new and innovative numeracy and storytelling programme for Years 3 & 4 .  The trials that Jack encounters in this tale become a frame for the children’s participation, and provide a  series of challenges and tasks which involve the children applying the principals of mathematics and logic.

All Good Things, our site-specific programme taking place at BMAG's amazing Collection Centre

Following on from our extremely well-received tour of Tapestry for 13-18s, On the Edge is an exciting new participatory performance for 9 – 11 year olds which explores the implications and consequences of extremism. Younger children have less direct experience of extremism and their ideas, opinions and awareness around this issue are generally less well formed. On the Edge will draw on stories such as William Tell, Robin Hood and The Gunpowder Plot to create an original story through which children will explore questions such as: Do the ends justify the means, who do you believe and is there ever a case for taking the law into your own hands?

Stargazing

We’re able to revisit BMAG’s amazing Collection Centre in the Spring with the return of All Good Things… The Collection Centre is a treasure trove of history and science artifacts, and we creat an exciting drama which will take children on a unique journey back in time as characters from Birmingham’s industrial and scientific past come back to tell their stories and plead their case. And rounding of our Key Stage 2 programmes will be another history tour. Stargazing transports children to a dusty loft in Florence during 1633 to wait for the great scientist and astronomer Galileo to arrive and address them.  As they wait they meet Andrea, the child of Galileo’s housekeeper, and together begin to practically explore Galileo’s theories  using the models and notes that the great man has left lying around.  Their experimentation is interrupted when they learn that Galileo has been arrested as a heretic…

You can find full details of all our tours next year if you go to theplayhouse.org.uk/languagealive

Gary R
May 26th, 2010

Nearly there!

Welcome to the new website. Pardon our appearance whilst we tidy up!

We’re not quite finished yet. There’s still a few bits that don’t work quite how we want them to, and other bits we still need to add (come back next term and hopefully we’ll have some activities for the Interactive WhiteBoard too). Hopefully when we’re done we’ll have a truly interactive resource to support learning, and with fun activities for young people too.

It’s designed to grow though. Each new project will have it’s own mini-site, and we need your help too. You’ll be able to comment on activities, and help us develop by suggesting your own activites to add ours. It’s not quite working yet, but you’ll also be able to embed our activities on your own sites too.

In the mean time have a look at our current tour sites.

Our current Language Alive! tours:

  • Little Red Hen is our  Early Years programme, with lots of numeracy ideas and activities.
  • Where there’s smoke… explores the Great Fire of London with 5-7 year olds, with some great interactive activites
  • No Kidding looks at bullying with 5-7 year olds (sorry, we’ve not had time to develop a full website, but there’s a resource pack to download with lots of useful ideas)

 Also touring:

  • Tapestry is our successful tour for 13-18 year olds exploring the implications and consequences of extremism. (At present there’s a link to a temporary website, but this will be integrated into our new site soon.)

Please let us kow what you think think, either through the comment links or the contact page. Thanks!

Gary R
February 26th, 2010

The voices of the Home Children

“…we are sorry that the voices of these children were not always heard, their cries for help not always heeded. And we are sorry that it has taken so long for this important day to come and for the full and unconditional apology that is justly deserved.”

Gordon Brown has followed his Australian counterpart and issued an apology for the ‘deportation of innocents’, child migrants sent from this country to countries such as Canada and Australia as late as 1967.

http://news.bbc.co.uk/1/hi/uk/8531664.stm

The Home Children is our theatre-in-education project currently touring schools that tells the story. The issue is particularly resonant to Birmingham as many of the children sent overseas came from the Middlemore homes in Birmingham, one of which (long since closed) still stands just off the Middleway. With the help of Birmingham Archive we used letters, newspaper articles, original records, testimonials, workshops and interviews to shape this participatory performance.

At the end of their experience the children create their own podcasts about The Home Children. These modern-day children’s voices can be heard, and can be found on our website set up to accompany the project:

http://theplayhouse.schools.officelive.com/TheHomeChildrenSounds.aspx

Gemma S
January 26th, 2010

The Home Children… my journey so far

I have been a freelance Teacher/actor at The Play House for just over six years now and loved every second of it! But I have to say, it has been a particular privilege to have been given a rare opportunity to be part of such a lengthy and in depth project with all sorts of other practitioners on board.

The Home Children, with audio as a prominent feature throughout, looks at the migration of some of the poorest children from Birmingham to Canada in the early 1900s. Sir John Middlemore set up emigration homes here in Birmingham where children would be prepared for their new lives in Canada and then off they would go, leaving their old lives behind them, embarking on what were largely unpleasant experiences.

The rare opportunity, one of the things that has made this project so special so far for me, is that before even beginning our luxurious 4 week devising process we were able to develop 3 consecutive workshops that we then delivered at 5 schools over 3 weeks, confused? This is how it broke down….

Having had an initial visit to the Birmingham Archive to look at real artefacts relating to real home children experiences, myself, Simon Turner and Director Geoff Readman got to work on devising the workshops; workshop 1 looked at life in the slums of Birmingham in the early 1900s and the kinds of situations children were removed from, workshop 2 focussed on the journey from Birmingham to Canada and workshop 3 was about the home children’s’ lives in Canada.

Throughout each of the workshops we used projected images to evoke thought and discussion, audio vignettes to set context and various dramatic conventions including: hotseating, collective role, teacher in role, still images, thought tracking, conscience alley, marking out the space etc

It was just fantastic, we were able to develop great relationships with each of the classes, get a real grasp on what elements of the narrative the children most engaged with, and then tailor the next workshop based on what had come out of the previous. Just brilliant to re-visit each group 3 times, a real invested interest was had by all involved, and not to mention how valuable these sessions were in enhancing the devising of the programme…..VERY!…what a treat……

Heritage Lottery Fund

Gary R
December 14th, 2009

I must get out more often

Last Wednesday was one of those rare occasions that I was allowed out from behind my desk and off into the real world. We’d been invited to take part in a Networking Day staged by Birmingham City Council. The event was billed as an opportunity for arts organisations to meet extended schools co-ordinators and other school representatives.

I have to confess I’m not exactly the first person to volunteer for these sorts of events. They can be a bit dull, and often attended by people who have been told to attend by their boss rather than wanting to be there. However, with another big event that day (Tapestry was being presented to Directors of Children’s Services on the other side of town), the job fell to me and Gavin, our administrator.

And I have to say I was really glad it did. I might have cursed the weight of our display boards once or twice as we lugged them into the foyer of Symphony Hall, but once we were set up it was clear it was going to be more than worth it. The attendees – extended schools to begin with, schools later on – were interested and enthusiastic. We had the opportunity to present a workshop on using drama and storytelling to support children with English as an Additional Language which drew a small but eager group. I had the chance to talk to lots of different people about our work, about what they needed, and about how we could help them.

But there was more. In what we call in our evaluation reports an ‘additional outcome’, myself and Gavin also had the chance to network with other companies. It’s so rare that we all come together in one place, showing our wares and getting chance to chat, seeing some old faces but a good array of new ones too. I’m sure more than one partnership was brokered that day.

All in all a really good way to spend an afternoon. I should really try and get out more often. 

To find out more about our extended schools work, you can have a look at Gangs & community cohesion, Holiday projectsEnglish as an Additional Language. Also our theatre-in-education tour Tapestry (Preventing Violent Extremism)  which has been mounted in out-of-school settings

Cheryl S
December 2nd, 2009

Be quick, don’t waffle, and just write the darn thing….

This is my second attempt at writing a blog.  The first one, on reading it back, was too long and too relevant to that week at the beginning of November, therefore it would read as old news today.  Here I go again.

Note to self: be quick, don’t waffle, and just write the darn thing….

Here I am in the office awaiting the imminent last trip into school tomorrow with our newly devised and flawlessly written programme The Last Train, a participatory theatre-in-education piece that engages year 5 & 6 children.  I had the privilege of creating this key stage 2 programme as part of a fabulous team at The Play House;  John Flitcroft and I, who were the permanent staff involved, director Geoff Readman, writer & audio specialist Charlotte Goodwin, designers Dawn Allsopp with Emma Thompson and freelance teacher/actor Toni Midlane.

At the heart of this one and a half hour programme is the story of a 10 year old German Jewish girl Inge Gershon, from Berlin.  Prior to the beginning of the Second World War in 1938 a scheme called the Kindertransport was created to evacuate refugee children from cities across Europe. To escape the dreadful persecution at the hands of the Nazis, Inge’s family send her to a place of safety in England as part of the Kindertransport scheme.  The drama focuses on what life was like for families and particularly children at this time.  We see how the persecution or the Jewish people quickly changes a child’s life of normality to one full of fear and constraint.  Alongside Inges’ journey, the children see glimpses of a contemporary refugee who is seeking refuge in Birmingham today. 

The tour has been received incredibly well by children and teachers alike.  The themes and issues raised through the content of the drama are a useful stimulus for work around citizenship, history, religious education and PSHE.  The children after each session are bursting with a whole host of lines of enquiry from ‘What happened to Inge’? to ‘Why did Hitler hate the Jews’?  All of which can be followed up in the classroom through work with their teacher.

As the literal last train is about to leave the station, I will be sad not to be exploring the immensely stimulating material covered in this programme and will say a fond farewell to the whole host of characters I have had to portray. And what a pleasure it has been to work with Toni and her ever increasing pregnancy bump!.

I shall now look forward to a whistle stop whizz around the office doing all manner of ‘winding up before Christmas tasks’. Such as: writing a fine report for the afore mentioned The Last Train,  cleaning duties, set-auditing, attending new programme development days, eating mince pies, reading and planning for the new programme looming next term; Roll Up! Roll Up!, and washing up.  All to be completed in about 2 and a half days ‘cos I’m only a job share you know…

Happy Christmas to you all.

Cheryl Stott

p.s. New Year’s resolution number one – not to write any more blog entries unless threatened with my life.

Gary R
November 26th, 2009

Safety and the cyber-world

Cyber-bullying and online child protection is in the news at the moment with some social networking sites refusing to install the “panic button” recommended by the Child Exploitation and Online Protection (CEOP) Centre. Opinions on this decision has been mixed, with The Guardian (Just one click to prevent child abuse) applauding Bebo’s decision to install the button, but The Times (A life online: just delete the cyber-bullies) questioning whether the button could address other issues, such as cyberbullying, and putting the emphasis squarely on the shoulders of parents.

Safety in the cyber-world is an issue for us on two different levels. Earlier this year we ran a project with a local school looking specifically at cyberbullying. The school had experienced some disturbing instances of bullying through email and texting, and with them we developed a project to look at these issues. Initial research sessions with year six pupils had shown that many of the children were acutely aware of what cyberbullying actually entailed. However, when probed further it became apparent that the children did not really distinguish between cyberbullying and the more general types of physical bullying or intimidation that may take place in school or other settings. To address this the project utilised masks and mask work as a way of ‘distancing’ participants from one another and exploring the anonymity provided by email and text messages. From this a peer education performance was created, with participants delivering to the rest of the school.

But we’re also wrestling with online safety from a different perspective. You might have seen from my earlier blog post (Digital potentials), we’re in the process of looking at our resources, and how to make them interactive and participative. For the first time the activities and resources we develop to support our programmes could be open to anyone online, rather than just teachers. This is certainly possible, but is it desirable? What sort of activity is appropriate? What sort of activity isn’t?  What can we put in place to make surfing safer for children and young people?

But there’s also another question. In The Times report above it references a survey by the Anti Bullying Alliance that said over half of children they consulted thought their parents needed to learn how to deal with it. How do we get to grips with a world where our children are more at home than many of us?

Gary R
November 16th, 2009

Synchronicity

We always make an effort to make sure our programmes are relevant and timely. Usually this is by design. For instanceThe Last Train touring this term was timed to commemorate the 70th anniversary of the Kindertransport leaving Germany.

Sometimes events overtake us though. It was with a strange sense of déjà vu that we watched the news reports in September about the riots in Birmingham city centre (here’s the BBC’s report on the incidents). We had spent the previous term devising and piloting Tapestry, our programme looking at preventing violent extremism. We’d consulted community groups, young people and police, and developed a programme following Hassan, Jason and Nazia as they shared each others stories – trapped in a deserted city centre shop during a riot.

This strange feeling of synchronicity has happened again. Today we started devising our consultation workshops for The Home Children, a tour that will bring to life the real stories of the child migrants, their families and those involved in their migration from British children’s homes to countries around the world. As I turned on my TV this morning I was moved by a woman who had been part of this migration, and in her case was sent to Australia. Her childhood had been taken away, she had grown up having been told she had no family, and had only recently discovered she had sisters living in Britain. She was on the news because the Australian Prime Minister had just issued an apology, and (we’re told) our own is about to follow suit.

It’s events like these that remind us that all the stories we explore, whether inspired by mythical, historical or contemporary sources, are relevant and resonant to the children and young people taking part.