Archive for the ‘Language Alive!’ Category

Gary R
September 2nd, 2011

No Kidding at ArtsFest!

The Play House will be presenting ‘No Kidding’ at ArtsFest on Sunday 11th September at 2pm in Birmingham Conservatoire’s  Recital Hall

‘No Kidding’ is a fun and slapstick participatory programme designed to improve the quality of children’s relationships with each other, and it’s one of our Language Alive! theatre-in-education tours for 2011-2012. Designed for 5-7 year olds it’s one of our most requested programmes, and an excerpt is presented free at ArtsFest, performed by Malcolm Jennings and Simon Turner.

‘No Kidding’ explores notions of friendship, co-operation and bullying through the eyes of a pair of ‘overgrown children’, Bally and Billy. In the best traditions of clowning, Bally and Billy struggle to maintain their friendship at work and play. Amidst all the fun there is a serious lesson to be learnt when Billy downs tools and the pupils must take the lead in resolving the conflict between the two larger-thanlife characters. Will the pupils be able to help Bally see the error of her ways and get her to apologise to Billy? Will the two make friends and get to perform their big finale?

Visit its website to find out more…

Gary R
June 14th, 2011

25 years of bringing the curriculum to life

September sees Language Alive!’s 25th year of bringing the curriculum to life across Birmingham and the West Midlands.

We’ve just released next year’s programmes which are available to book. Apologies for the delay – funding, as you’d appreciate, has been a bit scarce, but we’ve been able to raise enough to keep school contributions the same as last year.

We’ve also been able to attract funding for some exciting new work. The Arts Council has supported two linked tours this year – Peep! and Mosaic (click to find out more information). Both will be distinct programmes, but both will explore ways of creating theatre that is more accessible to a wider range of children. Peep! is available to Nursery, Reception and Year 1, and Mosaic for Years 2 & 3.

Another exciting project will be taking place at the evocative Moseley Road Baths. Pool of Memories will use the stories collected from the local community to explore the history of this fascinating building, and is part of a wider Heritage Lottery-funded project being run by the Friends of Moseley  Road Baths – you can find out about that project at www.poolofmemories.co.uk.

Paper Chase is a project that might seem familiar to some schools, but we’ve submitted a bid to the Clore Poetry and Literature Awards to build on previous work to make best use of enhanced digital audio technology and interactive resources. The aim is to offer greater support for the teaching of literacy, andprovide children with a dramatic impetus to create their own original poetry.

Some of our most popular tours are also making a return, such as our Key Stage 1 bullying and relationships programme No Kidding, and our Early Years numeracy piece Little Red Hen. There’s a strong selection of historical work too, with 7-11 year olds taken back to Tudor Times to explore the story of Anne Boleyn and Where there’s smoke… transporting them to the Great Fire of London. For Years 5 & 6 Saving Hope will explore the human stories around the outbreak of the plague.

You can find out more about all these programme by clicking the links above, or by downloading the brochure from the Language Alive! page, where you can also find the booking forms. Please get in touch if you’d like any more information.

Guest blogger
April 14th, 2011

A word from the trenches…

I have worked at Anderton Park School for a number of years and taught in different year groups. Language Alive! has always been a wonderful experience for the children. It is tailored to their needs and is age appropriate. So often other theatre-in-education is about performance only.

Language Alive! is effective because the children are involved and this leads to great follow up work. It is never about a one off performance.

Teachers have very different personalities and over the years there have been teachers who do not want to be involved in anything brought in from outside the school. In fact they never appear to emerge from their classrooms !!!!

However, Language Alive! is different. One year a previous Head Teacher was going to stop Language Alive! due to the cost. The teachers were very upset and every single teacher complained that it was a tremendous experience, and because of this he changed his mind.

Every time Language Alive! has been in school  teachers praise all aspects of the programme and how it has helped the children in their class. The children look forward to it, knowing that every year Language Alive! will come into school. These are remarks children have made about Language Alive! programmes.

” I thought I was really there”

” It made me think”

“I learnt without it being boring.”

” You understand stuff better”

Celia Reeves

Every Child Matters Manager/Teacher

Anderton Park Primary School.

No Kidding, photographed at Anderton Park Primary School

Alex p
February 25th, 2011

The Play House…exactly what it says on the tin (except it’s not a house)

I’ve been at this awesome place for just over 4 months now and believe me, in that short amount of time, it feels like I’m the member of a family!

The people who work here or with us are just brill; it’s like someone has just rounded up a group of lovely people, branded them with the “PH” poker and involves you in everything that happens.

I came along 5 months ago and was given an interview for Apprentice Administrator; i thought “Ok, got my happy face on, let’s go for it!”. To my surprise I was interviewed by 3 staff members…wow…where is that cloning machine when you need it?

When we got talking, it didn’t feel any more than a friendly chat, it just felt comfortable and flowing. It’s a shame all interviews aren’t like this…with tea to boot! (I’ll talk more about this later).

I GOT THE POSITION! Happydays.com.

Went to my first Play House meeting and my god was I baffled; everyone was talking about funding, plays and what people are doing. Even though I didn’t have a clue, I listened and learned a lot, and now I still have no idea! (I’m joking).

I work in the office all my time there but if there is a programme going out, I do get the humble chance of seeing them and it’s a fantastic opportunity.

The first play I saw was a programme called On The Edge, talking all about extremism, how to recognise it, query it and how to deal with it. It was great, the Teacher/Actors were in-depth and very believable and the energy that was given off and received for both the audience (children) and the actors was….well you need to be there to know what I mean. There were a lot of times in the play where I wanted to leap up and go “Oi! You shouldn’t be doing that, that is not nice!” (Yes I’m 20 years old but I’m a kid at heart). What surprised me the most was the fact that the children in year 5 knew words like extremism, terrorism, etc. At that age I was learning words like difficulty, octagon…so the education nowadays has far exceeded when I was a nipper and I’m thrilled to know that children are becoming more intelligent  and how fast they grow.

Another programme i saw was called Fit For A King. Phew! Talk about keeping in shape! It teached children all about food diets and how to stay active and healthy. The fact that the children were doing better jumping jacks then I was, made me realise how this programme was perfect for me!

Mr. Tea, Mr. Tea….Mr. Tea!
Believe me, the amount of time being here, my blood must actually be…tea! Whatever we do or wherever we go there will always be a cup of tea in our hands. It’s what keeps us going, what gives us our inspiration and development and also what keeps people making a funky beat with their sipping and gulping!

Tea is the very foundation of The Play House, without it we’re nothing but an empty mug. I must admit…I used to have 4 sugars in my tea (bad I know) and now I’m down to 1, so I’m proud of myself (the fact that they have weaned me down cause of my high energy and many toilet breaks might be the reason). Warning: Be ready to get addicted!

The staff here are….well shall I say varied? They come in all shapes and sizes and from all walks of life. To be honest there is not one person I do not like, they’re all friendly and wacky in their own way and there is never a time when you feel left out. One of the unique points is that each one has a great knowledge of their role and they have had background experience before.

It’s just awesome to know they take their work to a high standard and that they genuinely enjoy what they do, and I feel proud to know I’m working alongside them as the “PH” team (we do fight crime during night-time), creating such out-of-this world works of art and promoting the growth of children for the future! That’s what I love about this place.

My first blog…maybe one day I’ll look back at this and say – “There’s what I wrote! Wow! Autographs anyone? Only if there is a cupper involved!”.

Gary R
November 18th, 2010

Carl Chinn meets The Play House!

Tune in to Carl Chinn’s radio programme on BBC Radio WM this Sunday!

From midday you’ll hear Juliet and Malcolm talk about some of the company’s heritage-based projects, from a storytelling project based on the life of the Ladypool Road to participatory theatre-in-education at the Museum Collection Centre in Birmingham.

http://www.bbc.co.uk/wm/programmes/schedules/2010/11/21

Gary R
October 21st, 2010

Engaging schools

Deborah has been work with our colleagues over at Tide~ to look at learning outside of the classroom. 

She has been looking back on the work that they’ve been doing, and this has just been published on the Tide~ website. You can read her reflections here, along with articles from other members of the group.

Gavin M
October 15th, 2010

Say cheese

To me, The Play House has always been a very visual company and over the years there have been some photographs taken that have managed to encapsulate the thoughts, feeling and emotion of a programme with just one click of the shutter. This is why I get excited when I get asked to photograph a programme in school as I’m always looking to find that one image that conveys the mood of the programme. It’s extremely challenging, as moments can happen so fast, and I often find myself being so absorbed in the drama that I often forget that I’m their to do a job.

I have always been fascinated by how a moment of time can be captured by a camera. Although I did a photography module in college and understand how photography has been made possible through the years, a part of me still believes it is some form of ancient witchcraft. Stop and think about it the next time you are taking a picture; does it seem logical to be able to capture something your eyes can see (and then print it onto a t-shirt for your teddy or something equally as awful)? Anyway, I better get back to my blog before I get carried away with my rant. Don’t even get me started on why 35mm is still better than digital!

I am always very appreciative to the schools for letting us come in to document our programmes and helping with the distribution and chasing of the permission letters. Photographs and video recordings act as an extremely useful resource for when we come to retour a programme and help to capture those special moments when a young person says or does something inspiring.

You can view a selection of programme photographs which are featured on our Flickr site below.

Gary R
June 14th, 2010

Next year’s primary tours now available!

We’ve now planned all the Foundation and Primary tours for the next academic year, including some exciting new projects and the return of some old favourites.

Climb aboard!

For Early Years Just imagine… is an innovative new Early Years programme that is being developed through a partnership between The Play House and Birmingham Rep.  A series of story-making sessions are currently being conducted in Early Years settings , and the ideas generated by children in these sessions will be used to create a unique child-led story, inviting children to step into the world of the story and to imagine, play and create for themselves. Climb Aboard sees the return of Jim and his grandma Fernanda, who find the Jamaica Case full of precious things from Fernanda’s life as a girl in Jamaica. Jim and the children explore the objects as they are removed from the case and are taken on a journey back to her childhood…

Into the Garden, inspired by Oscar Wilde's The Selfish Giant

Key stage 1 has two popular programmes make stheir return. Fit for a King transports infants to the court of Prince Yannis, one of the unhealthiest, laziest and most unhygienic princes ever. Recruited by Yannis’ long-suffering personal chef, Cookie, the pupils must transform his lifestyle before the prince will be allowed to be crowned King Yannis. And using Oscar Wilde’s original story of The Selfish Giant as its inspiration and integrating shadow play, puppetry and storytelling, Into the Garden follows what happens when a group of children decide to ignore the ‘Keep Out’ signs the Giant has put up around his garden and show him what he’s been missing…

Thanks to the Arts Council and Birmingham City Council there are a few new programmes for Key Stage 2. Spinning a Yarn is a new and exciting programme for Years 3 & 4 that tells the story of Hans Christian Anderson’s Emperor’s New Clothes. Through an exciting blend of storytelling, participation and the hands-on exploration of textile techniques, participants explore human rights and global citizenship. Inspired by the traditional story of Jack and the Beanstalk, Bag of Beans is a new and innovative numeracy and storytelling programme for Years 3 & 4 .  The trials that Jack encounters in this tale become a frame for the children’s participation, and provide a  series of challenges and tasks which involve the children applying the principals of mathematics and logic.

All Good Things, our site-specific programme taking place at BMAG's amazing Collection Centre

Following on from our extremely well-received tour of Tapestry for 13-18s, On the Edge is an exciting new participatory performance for 9 – 11 year olds which explores the implications and consequences of extremism. Younger children have less direct experience of extremism and their ideas, opinions and awareness around this issue are generally less well formed. On the Edge will draw on stories such as William Tell, Robin Hood and The Gunpowder Plot to create an original story through which children will explore questions such as: Do the ends justify the means, who do you believe and is there ever a case for taking the law into your own hands?

Stargazing

We’re able to revisit BMAG’s amazing Collection Centre in the Spring with the return of All Good Things… The Collection Centre is a treasure trove of history and science artifacts, and we creat an exciting drama which will take children on a unique journey back in time as characters from Birmingham’s industrial and scientific past come back to tell their stories and plead their case. And rounding of our Key Stage 2 programmes will be another history tour. Stargazing transports children to a dusty loft in Florence during 1633 to wait for the great scientist and astronomer Galileo to arrive and address them.  As they wait they meet Andrea, the child of Galileo’s housekeeper, and together begin to practically explore Galileo’s theories  using the models and notes that the great man has left lying around.  Their experimentation is interrupted when they learn that Galileo has been arrested as a heretic…

You can find full details of all our tours next year if you go to theplayhouse.org.uk/languagealive

Gary R
February 26th, 2010

The voices of the Home Children

“…we are sorry that the voices of these children were not always heard, their cries for help not always heeded. And we are sorry that it has taken so long for this important day to come and for the full and unconditional apology that is justly deserved.”

Gordon Brown has followed his Australian counterpart and issued an apology for the ‘deportation of innocents’, child migrants sent from this country to countries such as Canada and Australia as late as 1967.

http://news.bbc.co.uk/1/hi/uk/8531664.stm

The Home Children is our theatre-in-education project currently touring schools that tells the story. The issue is particularly resonant to Birmingham as many of the children sent overseas came from the Middlemore homes in Birmingham, one of which (long since closed) still stands just off the Middleway. With the help of Birmingham Archive we used letters, newspaper articles, original records, testimonials, workshops and interviews to shape this participatory performance.

At the end of their experience the children create their own podcasts about The Home Children. These modern-day children’s voices can be heard, and can be found on our website set up to accompany the project:

http://theplayhouse.schools.officelive.com/TheHomeChildrenSounds.aspx

Deborah H
February 16th, 2010

Desperately seeking funding…

We’re often asked how we come up with our new projects, and, having just emerged from our busiest bid-writing period of the year, this seemed like a good time to reflect on that process.

I’d like to be able to say that we lock ourselves in a darkened room and let inspiration take its course but the reality is somewhat more protracted and perhaps less glamorous…

Many of our future projects, particularly our Language Alive! tours, start with small beginnings. A hurried conversation in a school staff room, a story we have enjoyed telling to our kids, a headline that has grabbed our attention or a building that we have driven past and always thought it would make a great location for a drama.

From here, the idea is fleshed out by visits to the library or museum, more conversations, some internet surfing, more staffroom chats and several cups of tea.

If the idea still has legs then it shifts up to the ‘serious contender’ category and we begin to consult in earnest, with our teachers’ group, other artists and educationalists and, where we can, children and young people. Schools get to let us know what they think about the various fledgling projects at this stage through our consultations. During this time the entire creative team at The Play House (a kingly group of 5) also come together and hold regular programme development meetings, and because we are tuned equally to the theatrical and educational potential, we pose questions about where the learning is, what kind of story we could tell and how we might tell it. 

If the idea comes through this stage, then it graduates to being ‘a serious contender desperately seeking funding’…

Here begins the process of matching funders’ criteria to the artistic and educational aspirations we might have for a new project.  If we are rewarded with a good fit, this results in myself and Gary spending days in a darkened room at a computer screen waiting for inspiration to help us through a 25 page funding bid (see, I told you it wasn’t glamorous).

A wait of anything between 6 weeks and 3 months usually ensues until we find out if our bid has been successful, which if it is, allows the real business of realising the project, to take place.  Four tea-powered weeks are then given over to playing, improvising, shaping ideas, testing strategies in schools, reflecting, changing our minds, playing some more, creating the set and costumes and filling endless sheets of paper with notes, before a new project comes to fruition ready for presentation at the teacher’s preview.  Following this and after some last minute tweaks we’re ready for schools.

The final and most important phase of a new project’s evolution is the bit where we get to ‘just add kids’ – this is where the real shaping of the work takes place.  Children’s responses in all their inventiveness, joyfulness, humanity (and occasionally strangeness) is what keeps our work continually on its toes and different every day, it is also what keeps us perpetually at the creative drawing board and is what excites many of us about the work that we do.

Occasionally, if we’re really lucky the whole process of generating ideas is kick started by being thrown a golden opportunity – a change in curriculum, a burning issue that affects children’s lives or an idea that a teacher has used with their class that has really inspired learning… If you are sitting on such a golden opportunity then please feel free to get in touch and talk to us about it. You never know, you may even get a cup of tea for your efforts!